Original title | Gräns |
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Film type | Feature |
Category | Fiction |
Average rating | 4,08 / 5 |
Director | |
Producer |
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Screenplay | |
Original work |
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Production country |
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Production company | |
Awards |
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Classification | Allowed from age 15 |
Dialogue |
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Swedish release | 2018-08-31 |
"A mysterious traveller awakens something deep within customs officer Tina. This inspires a journey which throws her entire existence up in the air, eventually revealing her true self."...
Original title |
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Swedish release title |
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International title |
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Director | |
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Screenplay | |
Producer |
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Production Manager | |
Line Producer | |
Director of Photography | |
Music | |
Production Designer | |
Film Editor | |
Sound Design | |
First Assistant Director |
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Conforming | |
Advisor |
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Stunt Coordinator | |
Script Supervisor | |
Special Effects | |
Script Consultant | |
Executive Producer | |
Production Coordinator | |
Location Manager | |
Runner | |
Casting | |
Extras Casting | |
Assistant Location Scout | |
Film Commissioner | |
Post Producer | |
First Assistant Cameraman | |
Second Assistant Cameraman |
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Still Photographer | |
Second Unit Director of Photography | |
Gaffer | |
Key Grip | |
Color Grading | |
Compositor | |
Visual Effects |
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Digital Imaging Technician (DIT) |
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Propman | |
Assistant Property Master | |
Property Master |
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Costume Designer | |
Dressmaker | |
Make-up / Hair | |
Make-up Supervisor |
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Wigs | |
Costume Assistant | |
Make-up Assistant | |
Stunt |
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Boom Operator | |
Foley | |
Sound Effects Editor | |
Re-recording Mixer | |
Sound Editor | |
Storyboard |
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Other Crew |
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Eva Melander | Tina | ||
Eero Milonoff | Vore | ||
Jörgen Thorsson | Roland | ||
Viktor Åkerblom | Ulf | ||
Matti Boustedt | Tomas | ||
Sten Ljunggren | Birger, Tinas far | ||
Ann Petrén | Agneta | ||
Kjell Wilhelmsen | Daniel | ||
Rakel Wärmländer | Therese | ||
Andreas Kundler | Robert | ||
Tomas Åhnstrand | Stefan | ||
Josefin Neldén | Esther | ||
Henrik Johansson | Patrik | ||
Ibrahim Faal | vårdpersonal | ||
Åsa Janson | sköterska | ||
Donald Högberg | receptionist | ||
Krister Kern | polisman | ||
Viktor Åkerblom | Ulf | ||
Robert Enckell | Heikki | ||
Elisabeth Göransson | äldre kvinna | ||
Aksel Dis | Anton | ||
Asli Dis | Antons mor |
Production Company | Meta Spark & Kärnfilm AB | ||
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Copyright | Meta Spark & Kärnfilm AB | ||
Co-Production Company | Sveriges Television AB | ||
Copenhagen Film Fund | |||
Meta Film DK | |||
Supported by | Nordic Genre Boost | ||
Nordisk Film & TV Fond | |||
Media Programme of the European Union | |||
Council of Europe | |||
Det Danske Filminstitut | |||
Partner | TGBVFX | ||
ACT3 | |||
MAAN Rental | |||
Red Rental by MAAN | |||
Advance allocations | Stiftelsen Svenska Filminstitutet | ||
Distributor in Sweden (DCP) | Triart Film AB | 2018 | |
Distributor outside of Sweden | Curious Pictures | 2019 | (Australien, Nya Zeeland) |
A-One Films Estonia | 2018 | (Litauen, Lettland, Estland) | |
De Filmbreak BV | 2018 | (Nederländerna, Luxemburg) | |
Art Fest | 2018 | (Bulgarien) | |
MyoungboArt Cinema | 2018 | (Sydkorea) | |
Alambique | 2018 | (Portugal) | |
Voodoo Films | 2018 | (Rumänien) | |
Karma Films | 2018 | (Spanien) | |
Outside the Box | 2018 | (Schweiz) | |
Bir Film | 2018 | (Turkiet) | |
Neon | 2018 | (USA, Kanada) | |
Impacto Cine | 2018 | (Belize, Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, Mexico, Panama, Argentina, Bolivia, Brasilien, Chile, Colombia, Ecuador, Surinam, Uruguay, Venezuela, Paraguay, Franska Guyana, Guyana, Surinam, Uruguay, Venezuela) | |
Kinoshita Management | 2018 | (Japan) | |
Heimili kvikmyndanna | 2018 | (Island) | |
Cirko Film | 2018 | (Ungern) | |
Seven Group | 2018 | (Grekland) | |
Wild Bunch | 2018 | (Tyskland, Österrike, Lichtenstein, Luxemburg, Schweiz) | |
Metropolitan Filmexport | 2018 | (Frankrike) | |
MCF Megacom | 2018 | (Kroatien, Bosnien-Hercegovina, Serbien, Makedonien, Kosovo, Montenegro, Albanien) | |
Lemon Tree Media | 2018 | (Kina) | |
Aurora Films Ltd | 2018 | (Polen) | |
Other Company | Morten Jacobsen Make-up Effects ApS |
"A mysterious traveller awakens something deep within customs officer Tina. This inspires a journey which throws her entire existence up in the air, eventually revealing her true self." (the production company's synopsis)
Certificate number | 205507 |
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Date | 2018-07-06 |
Classification | Allowed from age 15 |
Grounds for decision | Framställningen innehåller inslag av hotfull stämning, en starkt obehaglig scen där en chockad polis tittar på en barnpornografisk film med ett skrikande barn, en man som dras ut ur en bil och misshandlas brutalt samt en närbild på en död blodig man med spräckt skalle. Detta kan medföra stark rädsla och oro och bedöms kunna vara till skada för välbefinnandet för barn under 15 år. |
Aspect ratio | 2.35:1 |
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Sound type | Sound |
Colour type | Colour |
Carrier type | DCP |
Length in minutes | 110 min |
Dialogue |
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Release in Sweden | 2018-08-31 | Sweden | ||||
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TV showing | 2019-08-31 | SVT1 | Sweden | |||
2020-01-20 | SVT1 | Sweden | ||||
VOD release | 2023-06-16 | SVT Play | Sweden | Antal dagar på SVT Play 30 |
The Guldbagge Award | Stockholm | 2019 | Best Visual Effects | Christian Sjöstedt | |
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Stockholm | 2019 | Best Picture | |||
Stockholm | 2019 | Best Visual Effects | Mikael Windelin | ||
Stockholm | 2019 | Best Make-up | Pamela Goldammer | ||
Stockholm | 2019 | Best Visual Effects | Peter Hjorth | ||
Stockholm | 2019 | Best Make-up | Erica Spetzig | ||
Stockholm | 2019 | Best Make-up | Göran Lundström | ||
Stockholm | 2019 | Best Sound/Sound Design | Christian Holm | ||
Stockholm | 2019 | Best Actor in a Supporting Role | Eero Milonoff | ||
Stockholm | 2019 | Best Actress in a Leading Role | Eva Melander | ||
Academy Award Nomination | Los Angeles | 2019 | Pamela Goldammer | (Best Makeup and Hairstyling) | |
Los Angeles | 2019 | Göran Lundström | (Best Makeup and Hairstyling) | ||
Nominated for the Guldbagge Award | Stockholm | 2019 | Best Editing | Anders Skov | |
Stockholm | 2019 | Best Editing | Olivia Neergaard-Holm | ||
Stockholm | 2019 | Best Screenplay | Isabella Eklöf | ||
Stockholm | 2019 | Best Screenplay | Ali Abbasi | ||
Stockholm | 2019 | Best Screenplay | John Ajvide Lindqvist | ||
Stockholm | 2019 | Best Director | Ali Abbasi | ||
Festival Award | Cannes | 2018 | (Best Sound Creation, Un Certain Regard, Festival de Cannes, Frankrike) | ||
European Film Award | Sevilla | 2018 | Peter Hjorth | (bästa visuella effekter / Best European Visual Effects) | |
Festival Award | Haugesund | 2018 | (kritikerpris / Critics' Award, Den Norske filmfestivalen i Haugesund, Norge) | ||
Prix Un Certain Regard | Cannes | 2018 | (Festival de Cannes, Frankrike) |
The information given here refers to film material in the Swedish Film Institute’s archive. Access to the archive’s stock is given on request, for research, other film archives and rights’ holders. For enquiries please contact filmarkivet@filminstitutet.se
Element type | Digitalt visningsmaterial |
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Carrier type | DCP |
Element type | Digitalt arkivmaterial |
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Carrier type | MAP |
Element type | Digitalt visningsmaterial |
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Carrier type | ProRes |
Element type | Digitalt visningsmaterial |
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Carrier type | H264 |
Element type | Digitalt tilläggsmaterial |
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Size | About 70 x 100 cm |
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Quantity | 2 |
Poster title | Gräns |
Size | About 70 x 100 cm |
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Quantity | 1 |
Poster title | Grattis Gräns-teamet! |
Script type | För- och eftertexter |
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Extent | 8 s. |
Language | English |
Script type | Dialoglista |
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Extent | 48 s. |
Language | Swedish |
Script type | Dialoglista |
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Extent | 53 s. |
Language | Danish |
Script type | Dialoglista |
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Extent | 53 s. |
Language | English |
Script type | Inspelningsmanus |
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Original title | Gräns |
Extent | 99 s. |
Language | Swedish |
Script type | Musiklista |
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Extent | 3 s. |
Language | English |