Basic facts

Media (1)

Original title Undergångens arkitektur : Skönhetskult och barbari i Tredje rike
Film type Feature
Category Documentary
Director
Producer
Screenplay
Production country
Production company
Awards
Classification Allowed from age 11
Dialogue
Swedish release 1989-10-13

Plot summary

The film explores the obsession Adolf Hitler had with his own particular vision of what was and was not aesthetically acceptable and how he applied these notions while running the Third Reich....

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Kajsa Hedström
+46 8 665 11 22
kajsa.hedstrom@filminstitutet.se

Titles

Original title
Swedish release title
International title
Distribution title
Title for Swedish Video release

Crew

Director
Screenplay
Producer
Director of Photography
Film Editor
Production Mixer
Research
Color Timer
Negative Cutter
Sound Editor
Re-recording Mixer
Other Crew
Narrator

Companies

Production Company Poj Filmproduktion AB
Stiftelsen Svenska Filminstitutet
Sveriges Television AB Kanal 1
Sandrew Film & Teater AB
Distributor in Sweden (35 mm) Sandrew Film & Teater AB 1989
Distributor in Sweden (DCP) Stiftelsen Svenska Filminstitutet 2017
Distributor in Sweden (buy video) Sandrew Film AB
Re-recording Mixer FilmMixarna AB

Plot summary

The film explores the obsession Adolf Hitler had with his own particular vision of what was and was not aesthetically acceptable and how he applied these notions while running the Third Reich. His obsession with art he considered pure, in opposition to the supposedly degenerate avant-garde works by Jewish and Soviet artists, reveals itself to be deeply connected to Hitler's equally subjective and strict ideal of physical beauty and health. A series of so-called degenerate art exhibitions were sponsored in order to depict modernist painting and sculpture as expressions of mental illness and general depravity. Classical art that reinforced Hitler's personal taste, from Roman statuary to Dutch oil paintings, was scavenged from across Nazi occupied Europe. Hitler is shown as an amateur architect, planning new building designs for the Third Reich that express his vision of a Nordic empire to rival those of classical antiquity. He is said to be intimately familiar with the grand opera houses of Europe. He visits Paris with a group of architects and artists who will be tasked with rebuilding Berlin to suit the Nazi aesthetic. Designs for new structures include depictions of the ruins they will make for distant generations. The film posits that Hitler's affinity for Greek and Roman antiquity is also expressed in his insistence of a totalizing strategy of war. In what Hitler imagined to be the style of Sparta and Rome, war was meant to annihilate the enemy, enslaving the population and erasing the history of the vanquished. (Source: Wikipedia)

Swedish censorship / rating

Censorship number 128707
Date 1989-10-09
Classification Allowed from age 11
Original length 3368 meters
Notes Aktlängder: 590-545-500-557-521-527-128 m.


Technical specifications

Aspect ratio 1.37:1
Sound type Sound
Sound system Dolby Stereo
Colour type Black and white + colour
Carrier type 35 mm
Frames per second 24
Length in metres 3368 meter
Length in minutes 124 min
Reels 7 reels
Dialogue


Production location

1988-09 1988-12

Release dates

Release in Sweden 1989-10-13 Sandrew Gothenburg Sweden 123 min (den tyska dialogen svensktextad)
1989-10-13 Grand Stockholm Sweden 123 min (den tyska dialogen svensktextad)
TV showing 1992-05-05 Kanal 1 Sweden 118 min
Cinematheque screening, archive copy 1995-01-04
Video release 1995-04 Sweden 118 min
Cinematheque screening, archive copy 1997-10-10
Non Swedish theater exkl FIAF 2018-02-10

Soundtrack listing

Original title Cola Rienzi, der letzte der Tribunen
Composer Richard Wagner (1842)
Lyrics Richard Wagner (1842)
Musical Arrangement Sven Ahlin (bearbetning)
Peter Cohen (bearbetning)
Orchestra Sveriges Radios symfoniorkester
Conductor Okko Kamu


Original title Requiem, kör, orkester, op. 5
Composer Hector Berlioz (1837)
Musical Arrangement Sven Ahlin
Peter Cohen
Orchestra Sveriges Radios symfoniorkester
Conductor Okko Kamu


Awards

Festival Award São Paulo 1992 (kritikerpriset)
Valladolid 1991 (1:a pris i dokumentärfilmklassen)

Holdings Film

The information given here refers to film material in the Swedish Film Institute’s archive. Access to the archive’s stock is given on request, for research, other film archives and rights’ holders. For enquiries please contact filmarkivet@filminstitutet.se

Element type Print
Carrier type 35 mm


Element type Print
Item base Acetate
Carrier type 35 mm


Element type Print
Item base Acetate
Carrier type 35 mm


Element type Duplicate positive
Carrier type 35 mm
Length 3368


Element type Original picture negative
Carrier type 35 mm


Element type Original picture negative
Carrier type 35 mm


Element type Original picture negative
Carrier type 35 mm


Element type Original picture negative
Carrier type 35 mm


Element type Sound negative
Carrier type 35 mm


Element type Sound negative
Carrier type 35 mm


Element type Sound negative
Carrier type 35 mm


Element type Sound negative
Carrier type 35 mm


Element type Intermediate audio recording
Carrier type 35 mm


Element type Final mix
Carrier type 35 mm


Element type Final mix
Carrier type DAT


Element type Final mix
Carrier type DAT


Element type Video tape digital
Carrier type Digital Betacam (PAL)


Element type Video tape digital
Carrier type Digital Betacam (PAL)


Element type Video tape digital
Carrier type Digital Betacam (PAL)


Holdings Posters

Size About 70 x 100 cm
Quantity 2


Holdings Archive materials

Type Press Cuttings


Holdings Scripts

Script type Inspelningsmanus
Script title Undergångens arkitektur (arbetsnamn). Peter Cohen.
Extent 22 s. + 10 s. illustrationer. Introduktion (5 s.) och researchresultat (4 s.) ingår.
Language Swedish


Script type Inspelningsmanus
Script title Undergångens arkitektur. Peter Cohen.
Extent 41 s. + 22 s. illustrationer. Introduktion (5 s.) och researchresultat (4 s.) ingår.
Language Swedish


Script type Dialoglista
Script title Undergångens arkitektur. Textlista.
Extent 12 s.
Language Swedish


Script type Dialoglista
Script title Undergångens arkitektur. Textlista.
Extent 9 s.
Language German


Script type Dialoglista
Script title Undergångens arkitektur.
Extent 62 s.
Language Swedish


Script type Dialoglista
Script title Architektur des untergangs
Extent 68 s.
Language German


Script type Dialoglista
Script title A film by peter Cohen. Narrated by Bruno Ganz. The architecture of doom.
Extent 60 s.
Language English


Script type Dialoglista
Language English


Holdings Stills

Black and white print 5
Album No


Holdings Promotion materials

Type Program/Reklamtryck


Other manifestations of this work

Digitized

Technical specifications

Sound type Sound
Colour type Black and white + colour
Carrier type DCP
Length in minutes 124 min
Dialogue


Holdings Film

Element type Digital audio
Carrier type WAV


Element type Digitalt visningsmaterial
Carrier type DCP


Element type Digitalt arkivmaterial
Carrier type MAP


Element type Digitalt arkivmaterial
Carrier type MAP


Element type Digitalt visningsmaterial
Carrier type ProRes


Element type Digitalt visningsmaterial
Carrier type H264



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